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Keith & Julie Tippett - 1988 - Couple In Spirit (FLAC 24 48, vinyl, Editions EG 52)

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Torrent File Content (22 files)

Description

Music : Jazz : Lossless
      
 

24/48
vinyl rip. Editions EG EGED 52. LP made in England.

Side 1
1. Daybreak 3:13
2. Morning Psalm
2:18
3. Brimstone Spring Lullaby 3:47
4. Evening Psalm 3:32
5. Marching (We Shall Remember Them) 6:04

Side 2
1. The Choir And The Sunset Improvisers 7:24
2. The Key At Dusk 6:25
3. Grey Mist With
Yellow Waterfall Entwines Evening Turquoise 4:25

All tracks written by Keith and Julie Tippett except A3
written by Julie Tippett and B2 written by Keith Tippett

Produced by Keith and Julie Tippett

Recording engineer: Tony Arnold
Mixed by Robert Fripp

Illustration: Ian Whadcock
Design: De
Facto

Keith Tippett: bottles (A1,B3), piano (A1,A2,A4,B1,B2,B3), voices (A1), two harpsichords (A5),
harmonium [on bridge only] (B1), harpsichord (B3), bells (B3)
Julie Tippett: bottles (A1,B3), shaker
(A1,B3), voice (A1), voices (A2,A4,A5,B1,B3), two voices (A3), zither (A5), recorder (B3)

Julie and I
intentionally went into the studio without any preconceived notation or architecture. All the music on this album is
totally improvised. The instruments are acoustic, recorded as they sounded.
COUPLE IN SPIRIT is a suite of
spontaneous composition and should be listened to as one piece in eight movements. Total improvisation is composition,
both are part of the complete music. Momentum - colour - tension - relief of tension = architecture. May music never
just become another way of making money. - KEITH TIPPETT

All my musical life I have been searching for my
'ethnic' soul. This work with Keith has brought me the closest to finding it. - JULIE TIPPETT

Vinyl
etching:
EGED 52 A-1U-1-4 D TOWNHOUSE
EGED 52 B-1U-1-2 D TOWNHOUSE

The pairing of
Keith and Julie Tippett on a recording always causes anticipation; the duo's potential for provocative surprise is
seemingly endless. But even so, nothing could have prepared listeners for Couple in Spirit. Far from the hallmarks of
jazz or the harsher extremes of free improvisation, CIS is in a sense an eight-part suite that begins with intention,
moves through incantation and journey, and finally returns as transformation. The Tippetts use the passage of a single
day as a metaphor. They begin with the softly chanted "Daybreak," accompanied by bottles, shakers, and the
plucked and strummed insides of the piano. The slip and slip of Julie's voice as it hovers and floats and Keith's as it
shores up the lower end as counterpoint are lovely together as interplay. They hold forth that everything is possible at
the start of the day, and indeed possibilities breed occurrence. They move through a pair of tracks -- "Morning
Psalm" and "Brimstone Spring Lullaby" -- where Julie's voice explores the sonic inventions of Keith's
inside the piano playing, or as on the latter track, the incantory resonance of her own voice courtesy of Robert Fripp's
multi-tracking. After "Evening Psalm," the record begins to turn and the invention of language becomes
paramount to the pair's internal communication in both mood and feeling. By the time listeners reach "The Choir and
the Sunset Improvisers," where Keith's piano is dancing full through the high alto reaches of Julie's wordless
singing, they are in some kind of dance with this music -- alive and blind and open to whatever it offers. By the
recordings end, listeners have traveled the deep spiritual and naturalist passageways of a different kind of
improvisation. Like all music it relies on dynamic, notions of rhythm, and perhaps in places even harmony, but it goes
further and establishes a place for all of those things to bleed into one another. It creates a space for the nuance of
musical language, of improvisational sonic poetry where outcome rests exclusively on what gets discovered in the process
and is offered nakedly and humbly back to the listener that way. This is a remarkable recording. Couple in Spirit is
among the duo's best recordings. It ends with the shimmering ambiguity of "Grey Mist With Yellow Waterfall Entwines
Evening Turquoise" in a marriage of bells, piano, harpsichord, bottles, a recorder and shakers with Julie's vocals.
The effect is of a rite being concluded, the shaman's journeying concluded, and an offering made to the spirits for safe
travel and wondrous revelations. Who knows what the Tippetts intended here, but it doesn't matter. This is music that
has to be felt through as well as listened to; its subtleties offer themselves only after repeated listening when they
become powerful spiritual incentives to delve more deeply into the text and journey along. Magnificent. - Thom Jurek,
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